Macworld SF 2009 rumor roundup

As you are probably all aware of, tomorrow is the date of the Macworld San Francisco 2009 keynote by Phil Schiller instead of Steve Jobs.

MacRumors has done a great job of rounding up the rumors pertaining to this event. It's definitely worth checking out - even if a lot of them seem to be from the same source.

It's also important to remember that Macworld SF is a consumer-oriented show so if don't expect too much in the way of professional products and equipment.

(As a side note: I would always advise buying the later speed-bumped version of a product, not the original. If Apple does release a fixed-battery MacBook Pro, there's lots of potential for problems and issues with the first-generation.)

Why does my DVD audio level differ from the level in FCP?

Have you noticed a discrepancy between the audio in your Final Cut Pro timeline and the audio of the finished DVD when using Compressor's DVD presets?

That's because the Dolby Digital 2.0 audio preset in Compressor has several functions to improve unsuitable audio, but if you have already mixed your audio they might do more harm than good in some cases. Rather than just telling you which settings to use, I'm first going to explain what these functions are designed to do because there are a lot of misconceptions about them.

Compression alters your dynamic range (the difference between the loudest and quietest sounds in a soundtrack) by compressing the level of sounds to fit within a certain range. The loudest sound in a Dolby soundtrack can be 105dB. Considering the fact that prolonged exposure to 90 dB audio can result in hearing loss, most people do not play their audio at 105dB. When you set up a Dolby decoder with a reference tone, you are telling it the volume level it should play 105dB audio at. So if this is lower than 105dB (which is likely), you will lose some of the very quiet sounds on the soundtrack. The compression presets allow you to regain these sounds by sacrificing some dynamic range in the process.



It is set to Film Standard by default but if you have already performed a mix with a moderate dynamic range, further compression is not likely to be necessary and so it is worthwhile to switch this to None.



Dialog normalization is a feature on several Dolby decoders that ensures all content plays back at the same level. The listener sets their preferred playback level and the dialogue in every DVD and TV show plays back at the same level, meaning you don't need to keep reaching for the remote in order to adjust the volume. Contrary to popular belief, it only adjusts the overall volume level when the source changes (i.e. when you begin playing the DVD or when a new TV program begins) so dynamic range is preserved throughout the movie. It does not dynamically adjust the volume as the movie is playing.



The normalization value indicates the difference between the overall level of dialog and the maximum audio peak of 0 dBFS. The default is set to -27 dBFS, which is the established level for film soundtracks. It is also the level most decoders are set to by default. If you have your decoder set to -27 dBFS and then, for example, try to play a -25 dBFS movie, the decoder will lower the overall volume by 2 dBFS so that the general dialogue level remains the same. If you do want to switch it off when compressing your audio files (if you've already leveled your sound mix for example), set it to -31 dbFS.

So if you would like your audio to be exactly how it was in Final Cut Pro, set Dialog Normalization to -31 dBFS and set Compression in the Pre-Processing tab to None. However, these functions do serve useful purposes for the end user and it is worthwhile to bear their needs in mind.

What does 2009 hold for Final Cut Studio?

Now, 2008 has been a year of frustration for us editors. We've seen few Final Cut Studio updates (and some of those have broken more things than they fixed), we've seen matte displays replaced with glossy ones, we've seen no Apple at NAB 2008 and we've seen very little in the way of Mac Pro updates.

Has Apple abandoned pro users? Are they more interested in making iPods? Yes and no. Yes, of course, they will want to put a lot of resources into something that contributes strongly to their bottom line. However, I don't believe they have abandoned pro users at all.

Everything changes with Snow Leopard. Snow Leopard is Apple's way of telling us it still cares. Look at the feature list - Grand Central, OpenCL, QuickTime X, even the 2.2 gamma change - is there anything there that will benefit the average Joe Bloggs user when he's checking his email? No, this is a lean operating system designed for performance. And it's also designed to sell Mac Pros of course, and make the 8-core Mac Pro you bought a year ago worthwhile. This is an operating system designed to put the Mac back on top of the list of pro must-haves. Apple has a massive head-start on Microsoft here.

And what better way to promote Snow Leopard and the Mac than with a highly-optimized version of its flagship pro suite, Final Cut Studio.

I don't think Apple is abandoning us at all. I think they are just diverting their pro app resources into something much better. Think how the number of patches and the number of fixes has dwindled lately. Updates are rare and they only fix major issues. It makes sense that Apple would only put resources into fixing major bugs if Final Cut Studio 2 was at the end of its life.

Another thing I find interesting is that Apple is putting Shake updates in Pro Applications Updates but it is not putting Logic or Aperture updates in there. This would suggest that there may have been a merging of the Shake and Final Cut Studio teams.

And let's look back at the original launch of Final Cut Studio 2. If you remove Color from the equation, there's really not much there. Worth upgrading, sure, but no big architectural changes like FCP 4.0 to 4.5 or 4.5 to 5.0. Could it have been a version designed to tide us over until the big changes came along? Only Apple knows the answer to that question.

So here are my predictions:

1. Final Cut Studio 3 launches in 2009 to coincide with the release of Snow Leopard. I don't know how backwards-compatible it will be, it could well be Snow Leopard-only (which also means Intel-only). It will be largely rewritten to take advantage of new Snow Leopard features and hardware acceleration.

2. LiveType will be killed off and its features will merge into Motion. Motion will inherit some of the features of Shake. This will better position it to compete with After Effects. It remains to be seen whether Apple will keep the node-based interface from Shake or spin it off as a separate application. I don't think Apple will completely merge the two together as they have different target markets and different complexity levels.

3. There will be greater interoperability between Final Cut Studio applications. Color will be redesigned to better fit into the studio. Interfaces will be improved so that there is greater coherence between applications.

4. Media management will be redesigned and there will be tighter integration with Final Cut Server.

5. The current NLE fashion is to have an automatic transcription tool. I would imagine Apple would implement this too, as it has great potential, even with the inevitable inaccuracies. Imagine this with Final Cut Server - you could easily search for that elusive line of dialogue within hundreds or even thousands of media files.

Ok, some of these are predictions, some of these are wishful thinking. But I believe Apple will at least optimize FCS3 for Snow Leopard technologies, because Snow Leopard is pointless if software isn't written to support it. At the end of the day, performance is what matters most.

Other features that may not come but I'd like to see anyway:

1. Why do we have to keep exporting to XML? Why not just make the FCP project file XML?

2. Add scripting abilities to the applications in the Studio and improve their expandability. Apple can't possibly think of everything - let third party developers fill in the gaps. It might also win over some larger companies who will be able to integrate it with their other applications and databases.

3. Blu-ray - Who even knows? It might interfere with Apple's iTunes business model but either way, BD support in Adobe Encore is proving that there is a demand for it and it is possible to provide it in an authoring application despite the draconian licensing issues.

Roll on 2009!

Compressor Repair 1.1.0 released

We've just released Compressor Repair 1.1.0 with the following changes:

• Enhancement: Improved Qmaster relaunch process


• Enhancement: Improved feedback when errors have been discovered


• Feature: Command-line functionality (see user manual)


• Feature: Now refreshes Qmaster icon in menu bar


• Bug fix: Fixed "file exists" error when trashing qmaster spool

Compressor Repair is completely free and is available here.

Pro Applications Update 2008-05 is out

Apple just released Pro Applications Update 2008-05. This is identical to Pro Applications Update 2008-04 except it now comes with Color 1.0.4.

The news is still hot off the press so Apple haven't gotten around to updating their release notes at this point in time, however, given the timing and the fact that only one application was modified, it is safe to say that this patch was released solely to fix the dreaded XDCAM bugs in Color 1.0.3.

If you are currently running 1.0.3 and suffering from the XDCAM bug I would advise updating to this version. If not, the Golden Rules (TM) apply as usual:
* Never update in the middle of a project.
* Don't update if you don't actually need any of the features included in the update.
* Always clone or backup your system beforehand.
* Wait for at least a week to see if there are any reported problems with the patch.
* Wait even longer if you're using third party hardware or plugins e.g. the AJA Kona card or FXFactory plugins.

Update: Changelog is now up:

XDCAM Clip Relinking Is Fixed
XDCAM EX, HD, and 422 clips now relink properly.

ISO Changes in the RED Tab Appear Correctly
Instances where the Color UI did not accurately reflect changes made to the ISO parameter in the RED tab of the Primary In room have been fixed.

Improvements to the Blur Node in the Color FX Room
Adjusting the spread parameter of the Blur node no longer causes the clip to scale up.

Macworld 2009 to be the last for Apple

Apple just released a press release stating their intention to abandon all Macworld trade shows after January 2009. This is big news because Macworld is the most important trade show in Apple's calendar, and was the one they chose to use for announcing the iPhone.

Apple states that it has less need for trade shows due to the greater media presence it experiences nowadays, and I would say this is probably true. It's the reason they pulled out of NAB 2008 and it's the reason you shouldn't expect them at NAB 2009.

However, the more pressing question is this: why is Phil Schiller delivering the last keynote and not Steve Jobs? Surely Jobs should be present for the last one? Apple offers no explanation but this is likely to fuel further speculation about the CEO's health.

All I know is this - there are unlikely to be any huge announcements at the event, and it will become much harder to predict the best time to buy a computer now that Apple could spring new models upon us at any moment. But the computer industry is constantly changing and if you keep waiting for the next big thing, you'll be waiting forever. The best thing to do is buy what you need when you need it. Without the benefit of foresight, that's all you can do.

FCS Remover 2.0.4 released

We've just released FCS Remover 2.0.4. It's a maintenance release so there aren't any new features. This improves the window resizing code (thanks Andy) and now reports the application version when submitting an error. This is in response to several people reporting errors from earlier versions that had already been fixed in later ones. The bug reporter now prompts you to update older versions of FCS Remover before submitting a bug report in case the bug has been fixed in a later version, although you still have the option to submit the report regardless.



FCS Remover is a tool for removing Final Cut Studio, Final Cut Express and Final Cut Server. This is recommended practice when upgrading Final Cut Studio or for general troubleshooting. You can specify which elements to remove, and there are even built-in presets for common tasks. It works with Final Cut Studio 1 and 2, and Final Cut Studio 4 and above, and is compatible with Leopard and Tiger operating systems.

FCS Remover is completely free and is available here. We also have many other useful tools available here.

Mac OS X 10.5.6 released

Apple just released Mac OS X Leopard 10.5.6. Here are the most relevant changes for video professionals (not many as we're frequently overlooked unfortunately):

Graphics

* Includes general improvements to gaming performance (I think they are referring to improved OpenGL performance in general, which affects applications like Motion and hopefully will boost poor GeForce 8800GT performance).
* Includes fixes for possible graphics distortion issues with certain ATI graphics cards.

Networking

* Improves Apple File Service performance, especially when using a home directory hosted on an AFP server. Important: If you are using Mac OS X 10.5.6 (client) to connect to a Mac OS X Server 10.4-based server, it is strongly recommended that you update the server to Mac OS X Server version 10.4.11.
* Improves the performance and reliability of TCP connections.

General

* Includes Mac OS X security improvements (always good).
* Adds a Trackpad System Preference pane for portable Macs.

See the full list here.

The changelog (which I don't have access to but was leaked on the net) for one of the beta versions of this patch listed a fix for various hiding bugs. I know several people have had a problem with Final Cut Pro where they have been unable to show it again after hiding, so it would be interesting to see if this fixes the issue.

Once again, don't install this update until it's been out for at least a week (minimum) and you've checked around internet forums to see if people have experienced any issues. When you do update, always assume the worst WILL happen and clone or backup your hard disk first. Never update in the middle of a project and don't update early if none of the issues fixed affect you.

However, it is good to install security updates as soon as possible (again, wait to see if people report problems, although this is normally rare with security updates). Luckily Apple have included the security content of this update as a separate download for those who don't want to risk upgrading their OS. It is available in Intel and PowerPC versions.

P.S. It's good to know that Apple aren't rushing to patch the XDCAM bug with Color 1.0.3 as, clearly, improving the performance and reliability of Chess is far more important ;)

Update 12/16/08: Lots of people reporting problems with this update.

Possible solution to Color 1.0.3 XDCAM issues

As reported earlier, the new Color 1.0.3 patch cannot seem to recognize XDCAM footage, reporting it as offline. Matt Bucy on the Apple discussions board seems to have come up with a potential fix though. It would appear that the problem is with the XDCAM codec that Sony's capture utility uses, and the problem goes away if you re-encode the video with Apple's flavor of the codec.

Matt recommends going to File > Media Manager and selecting Copy referenced media. You could also export to a QuickTime or put the files through Compressor (the latter being the least recommended option due to recompression taking place).



Let me know how well this works for you. Hopefully Apple will fix this soon.

Solving missing framework errors in Final Cut Studio

If one of your Final Cut Studio applications crashes the minute you open it, chances are it's down to missing frameworks. If you click the Report button on the crash dialog, it will tell you the reason. Alternatively you can fire up the Console in /Applications/Utilities to see the message.

You'll probably see a message like this:


Here's how to copy that file back:

1. Firstly, if you have another machine running Final Cut Studio, it's much easier to take the file from that machine (in this case /System/Library/PrivateFrameworks/BrowserKit.framework) and copy it to the same location on the current machine.

2. If you don't have that luxury, you will need to extract it from your installation DVD. Put the disc in the drive and open up the Terminal in /Applications/Utilities.

3. If you are using Final Cut Studio 3, type the following:


If you are using Final Cut Studio 2, type the following:


Press enter after typing cd /System/Library/PrivateFrameworks, then paste the next part as one whole line. After typing the sudo gunzip... line you may be prompted for your password.

If you are using Logic Studio, substitute Logic Studio for Final Cut Studio. If you are missing a different file, replace BrowserKit.framework with the other file's name (ProKit.framework is another common missing file).

4. If this doesn't work, replace the cd /System/Library/PrivateFrameworks line above with:


Then copy the same sudo gunzip... command from above. This will copy the file to your desktop. In the Finder, browse to /System/Library/PrivateFrameworks and copy the file from your desktop to that folder. You may be prompted for your password.

5. If problems still persist after copying the file, it is likely that Final Cut Studio is expecting a later version of the framework than the one on the DVD. The only solution in this case is to copy it from a machine running the same version of Final Cut Studio as you, or to uninstall Final Cut Studio and then reinstall it from the DVD and patch it to the latest version.