Kollaborate
Pro Maintenance Tools
Pro Media Tools
CinePlay
Post Haste
Preference Manager
FCS Remover|
Maintain, optimize and troubleshoot your NLE
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Professional cloud workflow platform
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Simplified media management
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Cut Notes for iPad 2.5.4 - Nov 7 2019
Pro Maintenance Tools 2.3 - Nov 6 2019
Kollaborate Folder Watcher 1.3.4 - Oct 23 2019
CinePlay 1.6.3 - Oct 21 2019
Kollaborate Transfer 1.5.4 - Oct 21 2019
Important: The QuickTime fallback for older/third-party codecs has been removed, so these files will no longer be converted. But you can upload the file as-is and choose Actions > Create Playable Versions in the player to convert on the cloud.
Marker Import for Mac 2.2.2 - Oct 17 2019
Post Haste for Mac 2.6.5 - Oct 16 2019
Compressor Repair 2.3.5 - Oct 16 2019
FCS Remover 3.1.6 - Oct 16 2019
Preference Manager 4.4.4 - Oct 15 2019
Cut Notes for iPad 2.5.3 - Oct 9 2019
CinePlay 1.6.2 - Oct 2 2019
Recently we released Kollaborate Server 3.0, a major update to our self-hosted workflow platform. This follows on from the release of Kollaborate 3.0 on the cloud version of the site.
We've made many changes to improve the user interface, the most significant of which is the vertical navigation bar which is designed to balance out the interface and place your content closer to the center of the screen.
If you find yourself needing more horizontal space, hover over the Kollaborate logo at the top left and click the arrow that appears to collapse the navigation bar. The navigation bar will automatically collapse by itself on small displays or when you resize your browser window.
While video is the most popular format used on the site, our customers also upload many other file types such as MS Word and PowerPoint documents. The only way to view these files in the past was to download them.
Now Kollaborate has a specific Document file type that supports file extensions like PDF, DOC, DOCX, XLS, XLSX, PPT, PPTX, ODT, ODP. These files will now show thumbnails and be viewable directly in the browser once converted by our servers.
Leaving a comment on a document now tags that comment with the current page number and clicking on a comment will immediately take you to that page.
Encoding server configuration has been moved to its own separate page of the Admin Area.
Moving encoding servers to their own page allows us to offer more settings and features in future, including Kollaborate Hybrid Cloud, which will allow you to offset some of your encoding and other tasks to our servers. We plan to launch this feature in the near future.
Add transcripts to your videos either manually or by importing SRT or VTT captions. Export as SRT, VTT or plain text. Captions will appear automatically over your video.
The cloud version of the site has a beta of our machine learning-powered automatic transcription feature. Because this is still a beta and is regularly undergoing changes, we're not making it available to self-hosted customers just yet but plan to in future once things have stabilized a bit more.
Columns in List view on the Files page can now be resized or dragged to change their order. You can also right-click to hide them or show additional columns. You can now, for example, show the number of comments a file has next to its name and sort the list by this field.
Advanced Search has been completely overhauled to be more powerful. Use criteria like file size, type or width to narrow down your search. You can even locate files with specific words in their transcript.
Images can now be zoomed and navigated with a lot more control than before. Annotations can be drawn over the image at any zoom level.
Versions can be given custom names like "Rough Cut" or "Fine Cut". To do this, click the purple number next to the filename to view all of the versions, then right-click a version and select Rename Version.
Even though you can leave comments at specific timecode positions and draw over a video, sometimes that isn't enough to get your point across, so you can now attach files to comments. So you can say "I want the color to look like this" and attach a photo, rather than trying to describe it.
This release also contains hundreds of small tweaks, bug fixes and improvements.
Kollaborate is an essential cloud workflow platform that allows you to share files with clients and team members while integrating with Digital Rebellion apps and services. Kollaborate Server allows you to host the platform in-house on your own servers and storage. To find out more, see the Kollaborate Server overview or register for the free cloud trial (Server trials are available on request).
CinePlay 1.6.1 - Sep 4 2019
   •   IMPORTANT: This version is required to register the software and older versions will no longer register with our website. This doesn't affect you if you've already registered it to your computer and only applies to new registrations. Â
   •   Improved drop-frame timecode compatibility
   •   Improved memory usage
   •   Fixed several timecode issues that could occur when exporting files
   •   Fixed an issue where exported files could have no file extension if you deleted it from the filename
   •   Minor bug fixes, tweaks and optimizations
Kollaborate Encoder 1.4 - Aug 28 2019
Compatibility notes
Changes in 1.4:
Kollaborate Server 3.0 - Aug 28 2019
Compatibility notes:
Server-specific features
Changes in Kollaborate Server 3.0
Pro Maintenance Tools 2.2.7 - Aug 8 2019
Pro Media Tools 1.8 - Jul 30 2019
CinePlay 1.6 - Jul 23 2019
Kollaborate 3.0 - Jul 11 2019
Pro Media Tools 1.8 is a major update to our suite of media management tools. Here's what's new.
Auto Transfer has always checksummed your files when copying them, but it now has a tool to manually verify checksums. It's very flexible - drag in multiple drives, folders or files and it will generate checksums and compare them all.
This is helpful for verifying data integrity between two sources that Auto Transfer didn't copy, or were copied a long time ago.
QT Edit has undergone several changes to improve frame rate conforming. Most of these are under the hood changes but there is one user-facing addition.
We've added a new checkbox to the Conform pane to disable frame rate inversion. Like the other options on that pane, most people should not need to check it, but this option can help when converting from a non-integer frame rate (e.g. 23.976) to an integer frame rate (e.g. 25). You should only use this option if you get incorrect results with it switched off.
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Pro Media Tools is an essential toolkit for media professionals. To find out more, view the feature list, read the user manual or download the free 15-day trial.
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Kollaborate 3.0 is out now on the cloud, which is a major update to our workflow platform that both delivers new features and sets a foundation for future features to build upon.
We're using machine learning technology to create transcripts of the spoken audio in your videos. Kollaborate will automatically highlight the current sentence as the video plays and you can click on sentences to jump to that point in the video.
Kollaborate uses the transcript to create automatic captions below the video and you can even export them as a separate file in common formats like SRT or VTT.
Best of all, this technology is completely self-contained on our servers. Privacy is extremely important to us so we wanted a solution that protected our users' data and did not share it with third-parties. We needed a solution that would also work for our self-hosted customers, some of whom host in environments with no external internet connection.
While it would have been trivial from an engineering perspective to integrate with something like Google or Amazon's speech-to-text technology like our competitors do, those services do not meet this criteria. After a lot of investigation and some code contributions, we finally settled on Mozilla's DeepSpeech. This is a more complex solution to the problem but it gives us maximum flexibility and the ability to finely tailor the technology to fit our customers' specific use-cases.
Our competitors charge extra for transcription and limit the number of hours per month you can transcribe. Using DeepSpeech allows us to make our transcription service free and unlimited. Transcribe as many files as you like for no extra cost and the only limitation is how quickly our servers can process the queue.
Because our speech models are still being refined, we're calling this a beta so that customer expectations are aligned correctly. You can read more details about the situations the model performs best at here, but the short explanation is that content like podcasts and voiceovers will currently return the best results. That's not to say that the transcription feature can't be used in other situations, but the technology is likely to make more mistakes. Over time we will expand the number of situations in which it performs well.
We're building our models on both open source data and data that more reflects our customers' use-cases. You can help improve transcription by correcting any mistakes and then clicking the Learn button. We don't use your data without permission so it is only used when the Learn button is clicked, and you can specify if we can use the entire file or just the sentences you corrected.
The audio of the file then gets cut up into pieces, given a random filename and uses the transcript you provided for training. We don't share your original audio with anyone and once it's part of the model the audio can't be extracted back in its original form.
Another way you can help is by contributing your voice to Mozilla's Common Voice project. This is a public domain speech dataset used by Kollaborate, Firefox and a variety of other projects to create open and privacy-conscious speech technology. All voice data is useful, but especially when it comes from women and non-Americans, who are currently underrepresented in Common Voice's dataset.
We've made many changes to improve the user interface, the most significant of which is the vertical navigation bar which is designed to balance out the interface and place your content closer to the center of the screen.
If you find yourself needing more horizontal space, hover over the Kollaborate logo at the top left and click the arrow that appears to collapse the navigation bar. The navigation bar will automatically collapse by itself on small displays or when you resize your browser window.
While video is the most popular format used on the site, our customers also upload many other file types such as MS Word and PowerPoint documents. The only way to view these files in the past was to download them.
Now Kollaborate has a specific Document file type that supports file extensions like PDF, DOC, DOCX, XLS, XLSX, PPT, PPTX, ODT, ODP. These files will now show thumbnails and be viewable directly in the browser once converted by our servers.
Leaving a comment on a document now tags that comment with the current page number and clicking on a comment will immediately take you to that page.
Columns in List view on the Files page can now be resized or dragged to change their order. You can also right-click to hide them or show additional columns. You can now, for example, show the number of comments a file has next to its name and sort the list by this field.
Advanced Search has been completely overhauled to be more powerful. Use criteria like file size, type or width to narrow down your search. You can even locate files with specific words in their transcript.
Images can now be zoomed and navigated with a lot more control than before. Annotations can be drawn over the image at any zoom level.
Versions can be given custom names like "Rough Cut" or "Fine Cut". To do this, click the purple number next to the filename to view all of the versions, then right-click a version and select Rename Version.
Even though you can leave comments at specific timecode positions and draw over a video, sometimes that isn't enough to get your point across, so you can now attach files to comments. So you can say "I want the color to look like this" and attach a photo, rather than trying to describe it.
Kollaborate is an essential cloud workflow platform that allows you to share files with clients and team members while integrating with Digital Rebellion apps and services. To find out more, see the overview or register for the free trial.
Post Haste for Windows 2.2.2 - Jun 25 2019
Today Apple unveiled the new Mac Pro, which is an attempt to woo understandably wary and skeptical creative pros. Here are my initial thoughts.
From the outside it looks a lot like the old “cheesegrater†Mac Pros. It’s interesting to me that Apple chose to go back to an old design rather than attempting to push the envelope like they tried with the “trashcan†Mac Pro. But as many people preferred the older design this is certainly no bad thing.
While I wouldn’t describe the design as sexy, I doubt many creative professionals care too much about the look of a box that goes under their desk or in a server room. The trashcan Mac Pro was very much form over function and I would certainly trade form for increased function.
Apple products have a reputation for getting thinner and lighter with each iteration but it’s worth noting that the new case is slightly taller and wider than the cheesegrater case, while the depth is about an inch less. The weight is similar to the cheesegrater version.
The similarities to the old model continue on the inside. The internals should look very familiar to anyone who opened up an old cheesegrater Mac Pro. Many of us suspected Apple might offer minimal or no expansion, instead requiring users to add devices externally via Thunderbolt. Luckily this was not the case. Bringing back PCI slots got a round of applause during the keynote for some reason (no-one should applaud the fact they were ever removed), and there are eight of them this time compared to the cheesegrater’s four.
The Mac Pro supports the latest AMD graphics cards. NVIDIA cards were conspicuous by their absence, so that will be an issue for anyone relying on CUDA. Apple and NVIDIA had a falling out a while ago and it’s unclear at this point whether NVIDIA will be able to make their cards Mac Pro-compatible independently of Apple.
One of the most interesting aspects of the announcement to me were the available accessories. Not only is Apple offering rackmount options, they are even offering wheels to make it easy to transport (those cheesegraters were heavy). Apple’s phone/tablet hardware business has peaked, so in addition to services, Apple may be putting emphasis on squeezing as much money out of professionals / businesses as they can, and pro accessories would be a way to do that.
On the topic of rackmounting, it’s worth noting that Apple implied it’s a specific rackmount case you buy at the point of purchase, not simply a rackmount kit fitted to the existing case. Based on the width of the desktop case, it would be 5U in height when placed in a rack. So this isn’t really a replacement for the discontinued Xserve which was a 1U server. However, some racks have 26†in depth available which means Apple could potentially offer a deeper case that takes up less vertical space.
Another accessory is the Afterburner ProRes accelerator. While it can accelerate regular ProRes, it seems like it is designed more for Apple’s new ProRes RAW format. Apple claims it can accelerate up to three streams of 8K RAW or 12 streams of 4K RAW. Whenever we’re talking about acceleration, it’s always worth mentioning that the card isn’t all you need to achieve this - you also need storage that can handle that bandwidth too.
Basic I/O rear ports are handled via a card, implying you could add additional ports or change these to better fit your needs if necessary. But the card seems decent - it even includes USB-A ports, as well as two 10Gb-E ports (this elicited no reaction from the crowd but it definitely should have).
Apple is including a monster 1.4 kilowatt power supply in the system, capable of delivering 1280 watts of power continuously, however in reality you would only get this kind of power draw if you max out the specs, fill it up with graphics cards and set it churning away on a complex render.
In the US, most household circuits are 15 amps at 120 volts, meaning the maximum power draw for a single circuit is 1800W, with a continuous draw of around 1440W. This means that at 1280W there is a narrow overhead before the breaker trips, so you would need to be mindful of what else is plugged into the same circuit at the same time (note that a circuit may consist of multiple outlets). Most people probably won’t have to worry about this but it’s an important thing to think about if you’re planning to max out the specs.
So what about the price? The entry-level trashcan Mac Pro started at $2999 and the new model starts at $5999. In other words, without directly comparing specs, the base cost doubled from one generation to the other.
Ever since the Intel switch, people have debated whether Mac Pros actually needed server-class CPUs and ECC RAM. Apple could have included i9s and non-ECC memory in entry-level models to lower the price, or they could have simply adopted a Xeon configuration that could be achieved at a $2999 price-point.
Remember, $5999 is the base configuration so you may be looking at $8000 or more once you add accessories and tax. To max out the specs will likely cost well into five figures. So if you find yourself balking at that price, it’s likely you’re not the target market. These prices, along with options like rackmounting, suggest to me that Apple’s intending to sell these primarily to companies rather than individuals.
So while some may be disappointed in the pricing, I’m just glad Apple is making pro-grade hardware again. Let’s hope they keep it fast with regular spec bumps and not allow it to stagnate like the trashcan model.
The specs of this display are impressive and as Apple pointed out, no display currently exists with 6K resolution, 1000 nits of brightness, P3 10-bit color and 1000000:1 contrast ratio, all in a single display. They even have a whole nano-texture glass option to reduce glare.
Just like the Mac Pro, it’s not sexy, which is perhaps more of a problem for a monitor that sits on a desk than a computer that’s hidden away. I’m also concerned about the level of heat that even necessitates a large grille on the back, which is not something you commonly see on a monitor.
There’s certainly no doubting the specs of this display, which are truly impressive. Apple is intending this to be a replacement for $42,000 reference monitors. While it offers reference modes like Rec. 709 and P3-DCI, the colorists I follow on Twitter who might be expected to purchase such a device seemed skeptical that it would truly replace professional reference monitors.
The price starts at $4999 for standard glass and $5999 for anti-glare nano-glass. If you listened carefully during the keynote, you could hear the audience groaning and muttering when the prices were announced.
But if it truly can replace a $42,000 reference monitor then this pricing is a bargain. What is definitely not a bargain is the $999 stand. There is no way the stand costs anywhere near that to produce, so it’s massively overpriced. The VESA mount is a more-reasonable $199 so it seems as if Apple is either blatantly profiteering or trying to actively encourage people to mount their displays.
Just like the Mac Pro, it seems like it’s again geared at companies rather than individuals - there’s no way Apple would sell individuals monitors without a stand. They'd just include it in the box and increase the price.
The specs are great and I’m glad Apple’s making pro-grade hardware again. Companies will probably pay the Mac Pro surcharge without complaint, while individuals who don’t want an iMac will still be left wanting. Apple will make a lot of money from bulk purchases and accessories.
I’m really not sure how successful the Pro Display XDR will be. Reference monitors are niche, $42k ones especially so. It’s too expensive for people to buy as just a regular desktop display, while people who can afford $42k reference monitors may not be swayed by it and probably aren't price-sensitive anyway. For people who just want the basics as cheaply as possible, there are reference monitors available at much lower prices. So it’s for the people in the middle: those who want a reference monitor and need features like HDR for whom $3k is too low and $8k is too high - a niche within a niche. It seems a strangely small target market for a company as large as Apple. The Apple brand may well shift some units but it's hard to see it being a big success.
CinePlay 1.5.7 - May 6 2019
Marker Import for Mac 2.2.1 - May 3 2019
Cut Notes
CinePlay
Aspect Ratio Matte Generator
Video Space Calculator